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Socio/Cultural
Intervention Workshop conducted by
Afrika Cultural Centre for Women in
Dialogue
A project under the patronage of the
First Lady, Mrs Zanele Mbeki
A socio/cultural and development
intervention workshop with 600 young
women as part of the annual Women
in Dialogue programme will take place
in Meyerton, Vereeniging from 10-14
December 2007.
The workshops will offer participants
a dynamic journey of creative discovery
of self, family and community, of
memory and dreams
- a personal and collective rendering
of history, their own stories and
narratives through the expressive
arts (theatre, music, movement and
dance, visual arts, creative writing
- poetry/prose, media arts - photography/film).
Essentially dialogical, this creative
intervention will remove inter and
intra personal barriers and open up
expressive communication
amongst the participants. It will,
in freeing inhibitions and reservations,
offer reflection and action, therapy
and healing and participatory enjoyment
and satisfaction.
Working from an exploration of self-image,
values and rights, the workshop will
articulate and express perceptions,
and understandings of individual and
collective experiences/circumstances
through the sensory, emotional, cognitive
and physical process of creativity.
The process will offer a dynamic social
environment for democratic
participation and empowerment. |
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Invitation
- Herbert Dhlomo Memorial Lecture
Delivered by: BENJY FRANCIS
Director, Writer and Arts Educator
Saturday 08 December 2007
18h00 - 21h30
PROGRAMME
18h00 - 19h00
FREEDOM'S CHILDREN - selected stories
as performed by students of the Centre
for Research and Training in African
Theatre
Refreshments
19h45
Herbert Dhlomo Lecture
Discussion
Launch of Arts Website
Drinks
Venue
HERBERT DHLOMO THEATRE
AFRIKA CULTURAL CENTRE
52/62 HENRY NXUMALO STREET
NEWTOWN JOHANNESBURG
Reservations
info@afrikaculturalcentre.com
cell: 084 753 5381
fax: 011 264 0996
Limited Seating
Please be seated by 17h50 for the
performance
SECURE PARKING AVAILABLE |
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Africa
Children's International Film Festival
- ACIFF
In December 2008 an annual independent
international children's film festival
will be inaugurated in South Africa
in partnership with an International
Children's Film Festival as part of
a global alliance on cinema education
and as a focal point for a year round
artistic and technical education and
development programme for children
and young people in cinema, theatre
and related arts and culture. At the
same time we will unveil the establishment
of Children's film clubs in various
locations nationally to encourage
film literacy and child/parent participation.
This project, seven years in the
making is thoroughly researched and
planned. We are now ready to invite
partners from public and private sectors
to share in its development. Contact
the director at info@afrikaculturalcentre.com |
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Development
of Facilities
Interested parties are invited to
participate in this dynamic project.
There are many exciting opportunities
for investment in the arts and in
human development. We seek professional
quality and excellence in everything
we undertake.
Volunteers
and Resources
The Centre welcomes assistance from
persons with skills in administration,
management and creativity.
All manner of resources from money
to art materials, transport to musical
instruments, old clothes, furniture,
utensils, kitchen and gardening equipment,
computers and copiers etc are needed
to achieve our goals.
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Auditions/
Interviews
Full-time and part-time students are
invited to apply for auditions and
interviews for 2008 on the following
programmes
Young People's Creative Workshops
- ages 7 - 18, Saturdays 09h00 - 16h00
and holidays. Admission is by interview.
Programmes begin with the second Saturday
in January 2008.
Centre for Research and Training
in African Theatre -
• Post-matriculation full-time
2 year actor's course - Foundation
Level
• 3rd year specialisation year
- acting - Advanced Level
Admission is by audition. Programmes
begin on the 3rd week of February
2008.
Media Communication Unit
- children and youth. Programmes in
print, radio, still and moving images
are offered. Programmes begin on the
second Saturday in January 2008
Culture Club
Monthly gatherings will begin on January
2008. Watch this space for details
of quarterly programmes.
For an application form, please email
info@afrikaculturalcentre.com
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Herbert
Dhlomo Theatre
A season of three new works is in
rehearsal currently for the opening
season of 2008. |
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National
Dialogue on Theatre
This is an active campaign to raise
concerns about the state of theatre
in particular and the arts in general
in our country with regular debates,
discussions, seminars, workshops and
performances culminating in a 1 day
national festival of theatre on World
Theatre Day, 27 March 2008.
Schools, University Drama Departments,
Community Groups, Art/Culture Centres,
Amateur Theatre Societies, Professional
Companies, Civic and Provincial Theatres
and commercial Theatres and the State
Theatre and all interested artists
will be encouraged to participate
in the dialogue and the festival.
Details of this campaign will be communicated
to theatre practitioners and institutions
by press and email.
During this time we will work towards
the establishment of a National
Theatre Centre to co-ordinate
this activity and to publish regular
reports on events. |
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Ben
Arnold - Sculptor
Ben Arnold is a sculptor and long
standing friend of the centre who
initially studies under Cecil Skotnes
in the Polly Street Art School and
now works at the Bag Factory. His
sculptures impart a sense of history
as well as an aura of spiritual intent
that derives from his perspective
as a Muslim.
The array of sculptures on display
at the Bag Factory in an exhibition
titled Voyage, immediately intrigue
the viewer, since the forms are abstract
and yet also referential. This is
a feeling that the artist is mediating
his artistic expression and allowing
it to formulate in abstract terms.
For instance, the powerful Germination
Series makes reference to the earth
and the possibilities of growth but
the forms used to express the idea
seem also mathematically inspired.
These are angular terracotta arches
over a form reminiscent of the dolos
used to stem the tidal erosion on
shorelines.
Arnold chooses to contrast different
emotions that engage in dialogue with
one another. The treatment of one
element will be scarified and rough
while another is polished. Rhythms
run through both, engaging in polymorphic
discourse.
Many of the works inhabit a style
that gained prominence during the
sixties and consisted of rounded,
interlocking shaped derived from abstracting
a figure. Henry Moore was perhaps
the original inspiration for these
soft flowing sculptures. Arnold uses
the style emotionally, so sculpture
with titles like Grief and Idle Dreams
use the figuration to escape into
abstraction.
Muslim beliefs forbid idolatry and
proscribe the range of artistic expression
in much the same way as Judaism. American
Abstract Expressionism was very influenced
by this religious tendency.
However, Arnold’s work is intriguing,
and brings to mind Plato’s idea
of the evolution of form from a mathematical
abstraction to the object experienced
in reality.
Arnold’s wall pieces, called
Forest Floor Series or the Four Seasons,
have these strange shapes that seem
to be precursors of experienced forms,
like stones or plants. Sometimes they
almost depict the passage of energy
that could ultimately manifest as
an object.
Rough discs seem like squashed dough
platelets and give the impression
of the artist almost willing his mind
away from expression and allowing
his fingers to reach a moment of primal
form. It is not child-like of naïve,
however, and the contrasting shapes
establish a lyricism of being and
not being.
At once it is a circle or an ellipse
and yet also a stem or a direction.
Ashley Johnson
Art & Leisure – Business
Day
28/07/03 |
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